
(04) Riminy
Riminy is a serif typeface that embodies my ideals and aspirations as a designer. My goal was to craft a comprehensive set of Latin alphabet glyphs, complete with ligatures and custom ampersands, demonstrating my dedication to precision and elegance in type design.
The first step was to establish a clear goal for the typeface I wanted to create. I brainstormed ideas, envisioning a design inspired by Garamond with curves reflecting a botanical and organic mood. The result would be a mid-weight, mid-contrast, super-elegant serif—rich with ampersands and ligatures to enhance its character and sophistication.
And I tried to go different approches including:
- Different style serif of 'G' and 'S'
- Different style of 'a'
- More curved, soft tail instead of a nip-pen-like stroke tail.

Garamond vs Riminy
Display serif typeface Inspired by
elegant mood from Garamond such as:
- Gently curved serif from “n”
- Humanistic influences like tilied axis on the letter “o”
- unique style “W” with two overlapped ‘V’ shapes.


Fluid and Botanical curves
I incorporated softly curved tails, rounded terminals, and fluidly linked ligatures, drawing inspiration from the graceful forms of botanical structures, such as stems and leaves. These elements add a natural elegance and organic flow to the typeface.










Typeface design
Editorial design
(06) Riminy
Riminy is a serif typeface that embodies my ideals and aspirations as a designer. My goal was to craft a comprehensive set of Latin alphabet glyphs, complete with ligatures and custom ampersands, demonstrating my dedication to precision and elegance in type design.
The first step was to establish a clear goal for the typeface I wanted to create. I brainstormed ideas, envisioning a design inspired by Garamond with curves reflecting a botanical and organic mood. The result would be a mid-weight, mid-contrast, super-elegant serif—rich with ampersands and ligatures to enhance its character and sophistication.
I brought some elegant visuals from Garamond such as:
- Gently curved serif from “n”.
- Humanistic influences like tilied axis on the letter “o”.
- unique style “W” with two overlapped ‘V’ shapes.
At the same time I go diffrent approches such as:
- Different style serif of 'G' and 'S'.
- Different style of 'a'.
- More curved, soft tail instead of a nip-pen-like stroke tail.
I incorporated softly curved tails, rounded terminals, and fluidly linked ligatures, drawing inspiration from the graceful forms of botanical structures, such as stems and leaves. These elements add a natural elegance and organic flow to the typeface.